THE MUSIC OF PLACE: RECLAIMING A PRACTICE
Jon Rose
‘How do you maintain live music in a culture that does not value it?’ asks Jon Rose, acclaimed improvising violinist and instrument maker. ‘The practice of music has lost its key functions and roles in society’, he writes. ‘The proof of this lies in the steep decline of monetary worth for both practitioner and the art form itself. Music's social worth is also questionable as it is steadily removed from the education curriculum. This is not a uniquely Australian phenomenon, nor is it confined to music practised on the fringes of society; it is a problem common to all music forms.’ Rose rejects blaming popular music and digital downloads, delves deeper and proposes a way to change the culture.
ALL YOU NEED IS CASH
At The Tea Room, Sydney 29 May
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IT'S CULTURE STUPID!
Reflections of an arts bureaucrat
Leigh Tabrett
In 2005 Leigh Tabrett was appointed to lead the Queensland Government’s arts agency and began a major program of funding reform. In a trenchant reassessment of these years she explores her own frustrations and reveals how the lack of clarity among decision makers about the core purposes of government funding has profoundly damaged the system.
‘A fundamental clash of cultures’, she concludes. ‘How can we have a national system of public
support for the arts in the absence of any clear sense of purpose?’ Her paper offers a powerful argument for a better way.
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Chair of Currency House
AM, Hon.Ph.D (UNSW, UWA) Executive Director, was co-founder in 1971 of Currency Press Pty Ltd, the performing arts publishers and its publisher for 30 years. In 2001 she founded Currency House Inc. as a non-profit association to assert the value of the performing arts in public life. She was a theatre critic for 21 years, notably national critic of the Australian 1967–74 during a time of radical change; and has published extensively on the history of Australian theatre, including Not Wrong, Just Different: Observations on the Rise of Contemporary Australian Theatre (2005) and on drama in The Cambridge History of Australian Literature (ed Peter Pierce, 2009). Over 40 years she has received many awards for service to the performing arts.
Katharine Brisbane AM
Chair of Currency House
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Michael Campbell
Choreographer, literary events manager, director
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Dr John Golder
Chair of the editorial board
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Brett Perry
General Manager, Credit Management Commonwealth Bank of Australia
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Martin Portus
Arts and media consultant
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Nick Shimmin
(editorial board)
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Jo Smith
Jo Smith is Executive Director of the Australian Guild of Screen Composers.
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Liz Terracini
Arts Manager
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Greig Tillotson
(editorial board) Librarian
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Dr Mark Williams
Solicitor
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