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Introduced by Julie Flynn, CEO Free TV Australia
PUBLISHED 1ST NOVEMBER
Lauren Carroll Harris
A member of our editorial board, Nick Shimmin, has been quite intrigued with an essay-film by Mark Cousins at the Adelaide Film Festival. The film’s theme of the revolutionary potential for film is compelling; making its effect hard to ignore and its message very clear.
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Arts and Public Life Breakfast 14 August
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Body for Hire? The State of Dance in Australia
Platform Paper Issue#
PUBLISHED APRIL 2006
Once dancers joined ballet, modern dance groups or chorus lines and did what they were directed to do, writes Amanda Card. Today the art is more collaborative, at least in the contemporary dance field, but there are too many graduating students and little steady work, few auditions and decreasing opportunity for newcomers. The best dancers today are ‘bodies for hire’, those who are versatile, open-minded, independent and comfortable in every genre. Choreography has become a more democratic process in which dancers, choreographer and directors come to depend on each other. In her guide to the future of dance in Australia Amanda proposes the disbandment of failing dance company structures in favour of the free sharing of the talents of artists, members of a ‘super group’ under the management of creative producers or a new breed of artistic directors.
Dr Amanda Card spent her professional career as a dancer with Kinetic Energy, on the commercial dance circuit in Sydney, Japan and South-East Asia, and as a member of Human Veins Dance Theatre. She was the inaugural Chair of Critical Path, Sydney’s choreographic research and development centre. and currently teaches movement studies at the University of Sydney.
Published with the support of the Keir Foundation