Speakers Sally Burton, Penny Chapman and Robyn Archer CLICK HERE
Join us at The Tea Room, Queen Victoria Building, Sydney
Sally Burton 23 May 2012
Penny Chapman 29 August 2012
Robyn Archer 28 November 2012
FINDING OUR PLACE ON THE ASIAN STAGE
Alison Carroll and Carrillo Gantner
Carrillo Gantner interviewed on youtube CLICK HERE
TO SEE TABLE 2 FROM THE PAPER CLICK HERE
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FINDING OUR PLACE ON THE ASIAN STAGE |
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PUBLISHED 15 APRIL
The new book by Nick Herd
DETAILS HERE
THE REAL STORY OF THE TELEVISION WE HAD TO HAVE.
The conduct of a commercial television service is not to be considered as merely running a business for the sake of profit. Because of the influence they can bring to bear on the community, the business interests of licensees must at all times be subordinated to the overriding principle that possession of a licence is a public trust for the benefit of all members of our society.
PMG Charles Davidson to Parliament on the passing of the Broadcasting and Television Act 1956.
Katharine Brisbane gave the lecture IN PRAISE OF NEPOTISM
Read it here
The Philip Parsons Lecture was given on 27 November at Belvoir Street Theatre

Platform Papers 25
Erin Brannigan has provided an important catalyst with her considered, complex and persuasive study which is a pleasure to ponder on. It should be on the reading list of every dance and creative arts course and disseminated widely through the industry.
Cheryl Stock, choreographer and dance educator
www.currencyhouse.org.au/node/129

Platform Papers 27
Any blogger will know the weird sense of beginning an online ‘conversation’. It's akin to delivering an informal lecture to an empty auditorium. In most cases, you're met with silence. This is no different from a newspaper review, or a novel, or a message scratched into a bus stop seat.
John Bailey, Melbourne arts journalist and bloggist
www.currencyhouse.org.au/node/185
We will send you:
Title
What Price a Creative Economy?
Author
Stuart Cunningham
Platform Paper Issue#
09
ISBN13
9780975730150
Purchase Options
PUBLISHED JULY 2006
A creative economy is about much more than culture and the arts. It embraces the nation’s great writers, filmmakers and artists, but it's equally about the interaction designers who have contributed to the revolution in banking and finance, the technical writers who help make our export industry strong, and the legions of amateur bloggers and animators who are triggering the explosion of digital content. What sets creative industries apart in the economy is the fact that ‘creativity’ is their primary source of value, something that is increasingly recognised as important for growth in contemporary knowledge-based societies. It’s time to rethink the view that creativity is a cost to the economy and pursue instead the sector’s economic potential, making the creative industries the ‘sparkplugs’ of next-generation, post-industrial growth. What Price a Creative Economy? offers fresh reasons and evidence for renewing the case for public investment.
Professor Stuart Cunningham is Professor of Media and Communications, Queensland University of Technology, and Director of the Australian Research Council Centre of Excellence for Creative Industries and Innovation. He is a key figure in cultural policy studies and is well known for his contributions to media, communications and cultural studies and their relevance to industry practice and government policy.
Published with the support of the Keir Foundation